At a certain point it became clear that he was going to get a tap number.” The image of Squidward’s stuffed legs rat-a-tatting behind his real ones is a musical highlight of the show. It was an easy puppet sort of thing to make. “In that first workshop we experimented by attaching two pairs of jeans and creating four legs. “The extra legs seemed to be his defining characteristic,” said Zinn. Squidward, an octopus, gets a more fanciful costume, with prosthetic legs attached to the actor’s human ones. Sandy the squirrel, who in the TV show wears a diving suit (she is a mammal after all who hangs out on the bottom of the sea), wears a simple white jumpsuit, and Patrick is costumed in bright green shorts and a loud Hawaiian shirt over a magenta tie-die T-shirt. SpongeBob is dressed in checkered trousers with suspenders, a yellow shirt and a red tie (so ironically, he is wearing pants with squares on them rather than actual square pants). In the final design, the show’s three heroes, SpongeBob and Sandy and Patrick, are dressed the most like real people, with the rest of the costumes spiraling out imaginatively from there. “How does SpongeBob move if he’s not a yellow rectangle? Does he even need to be yellow? Does Squidward need to be green?” Landau invited the designer to an initial workshop where, rather than test driving the narrative, they explored what the physical rules of the game might be. “They wanted to find a way, with a kind of independent spirit, to match the wacky animation of the cartoon,” said Zinn.
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